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To
view Stephen Inggs' available works from Solitude,
please
click here
To
view Stephen Inggs' available works from Journeys,
please
click here
Continuum
(Wing), 2000, light sensitive emulsion and charcoal on paper,
107 X 120cm
Sensum (Torch), 2002, light sensitive emulsion
and charcoal on paper, 107 X 118cm
Sensum (Bowl), 2001, light sensitive emulsion
and charcoal on paper, 107 X 118cm
Sensum (Horns 2), 2001, light sensitive
emulsion and charcoal on paper, 107 X 118cm
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TEPHEN INGGS
Sensum, 2002
Sensum is an exhibition of still-life photographic
prints of collected objects about life's fleeting qualities. This
recent body of work continues with the creative representation of ideas
exploring the notion of transience and meaning in objects as well as
their historical and cultural residue. The work focuses on the nature
and relationship between printmaking and photography with the intention
of transforming the intrinsically humble genre of still-life from a
mere representation of reality to a more compelling and engaging
presentation of an image. The works are large scale photographic prints
made with light-sensitive emulsion and charcoal on paper. This
exhibition forms part of the month of photography hosted by the South
African Centre for Photography.
Sensum (also referred to as sense-datum) n. an
immediate object of sensory perception.
Philos.
[L., sensed, that which is sensed, neut. pa. pple. of sentre to discern
by the senses, to perceive.] = SENSE-DATUM.
1868 A. BAIN Senses & Intellect (ed. 3) 376 In Sensation, we
seem to have the sentient mind, and the thing felt sentiens and sensum.
1920 S. ALEXANDER Space, Time, & Deity II. III. ii. 58 The
non-mental external object which in this case is the sensum or
sensible. 1923 C. D. BROAD Sci. Thought viii. 240 Such objects as y I
am going to call Sensa. 1937 L. S. STEBBING Philos. &
Physicists vi. 130 It is only because Russell and Joad first know that
there are external objects that they are able to infer that there are
private sensa. 1949 G. RYLE Concept of Mind vii. 213 The theory says
that when a person has a visual sensation..his having this sensation
consists in his finding or intuiting a sensum. 1967 Encycl. Philos.
VII. 80/2 The essential point is that perceiving proper is the direct
awareness of sensa. 1974 R. M. YOST in Carterette & Friedman
Handbk. Perception I. ii. 33 One cannot locate a visual sensum in empty
physical space without presupposing the Absolute Theory of Space.
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